Funny: Not a Comedy, Actually Kinda Tragic
Written by Caroline Festa
Directed by Kalina Ko
October 7-10th 2024
The Secret Theatre
More Info
*Equity approved Showcase.
*the actors listed with an asterisk are appearing courtesy of Actors’ Equity Association
Running time: Approximately 90 minutes with no intermission.
“The whimsical, intimate setting of the Secret Theatre really lends itself to staging a play about a troupe of clowns putting on a play. Come clown around with us,” Orosz said in a statement.
Festa, whose recent credits include CBS’s “Blue Bloods” and “Ships”, which enjoyed its world premiere at the Soho International Film Festival, said she is looking forward to returning to her familial roots in Queens. “Funny” is Festa’s first full-length play in production and she said she is excited to bring it to audiences in Queens.
“As someone with familial roots in Queens, working at The Secret Theatre is a dream. Not only is the space amazing, but knowing that we can connect with the Queens community makes it a home-run,” Festa said in a statement.
The Sunnyside Post
Production Photos by Josh Lombard
Cast and creative
A Note from the Writer: Caroline Festa
When writing Funny: Not A Comedy, Actually Kinda Tragic, I drew inspiration from the classic clowns I watched growing up. The evolution of the clown in our culture spans generations, from Buster Keaton and Abbott and Costello to Lucille Ball and Kramer from Seinfeld. Some of my fondest childhood memories involve sitting on the couch with my parents and sister, captivated by these heightened worlds. These stories taught me the art of timing and characterization, reminding me that even in our most tragic or mundane moments, there is room for joy and laughter. In my play, the art of clowning serves as a vibrant thread woven throughout the contemporary narrative. This traditional form contrasts with modern language, creating a dynamic interplay between the absurdity of the characters’ situations and the dialogue. The piece highlights the artist’s journey and the challenges of balancing personal and professional life. I hope my play offers deeper insight into the artist’s life while illuminating the world of clowning, revealing how humor and vulnerability can coexist. But ultimately… I hope folks laugh!